Since I first introduced you to Bublish and the concept of book bubbles, I’ve added a number of new bubbles for my short story The Final Push. If you haven’t read my original post on Bublish (which I’m sure no one of the planet has, and Google analytics can prove it), here’s a recap: Bublish… Continue Reading
Author Archives: Richard
The Me, Myself, and I Interview – Part 4
In part three of this interview, I described a spectacular (and quite morbid) ER thoracotomy, one of the more dramatic surgical cases I performed in my career. In part four, I present a case of a young pregnant woman who was referred to the surgical service with sudden onset of headaches, palpitations, and sweating whenever her… Continue Reading
Spare Parts, and Broken Hearts
A damaged cop (ho hum). Clones bred for replacement body parts (wait a minute). Flying malls that function as cities (what?). These are the main elements of Michael Marshall Smith’s dystopian noir thriller Spares. Rapt-addicted ex-cop, Jack Randall, has dropped off the grid following a great personal tragedy. He takes a job as caretaker of one of the farms that houses clones (the “spares”… Continue Reading
Wading Into the Social Media Quagmire
As I said in the inaugural post on book marketing, if you are an aspiring author the first thing you need to do (even before you’ve completed your book) is develop a marketing platform, and that means you need a website, blog, Facebook page and Twitter account, at a minimum. And even though I wrote… Continue Reading
Sleep Your Troubles Away
A gothic horror story set in an old psychiatric hospital on the windswept coast of England. Psychological experimentation circa mid-1950’s. A medical mystery that stumps one of the great psychiatrists of the day, as well as his young protégé. If any of this lights up the literary centers of your brain, you will want… Continue Reading
The Four D’s: Part 5 – Depth of Story
If you’re an aspiring writer you know all about plot and subplot. Plot gives us the spine of the story, and subplots add depth, but where do plot and subplot take root? In theme. What is theme? Theme is what a story has to say about the timeless truths and facets of the human… Continue Reading
Do You Have an Ear For Dialogue?
Of the many technical skills needed to write fiction, dialogue is probably the hardest to master. You either have an ear for it, or you don’t. I’ve heard this. I’ve read this. I believe it. At best, the majority of us aspiring writers will learn to write good dialogue. Those blessed few who have the… Continue Reading
Gatsby vs Carraway – Whose Story Is It?
Many regard F. Scott Fitzgerald’s The Great Gatsby as one of the great literary achievements of its time. Published in 1925, the story accurately reflects a cross-section of post-World War I America. Referred to as the Jazz Age, the early- to mid-1920’s brought unprecedented economic gain to post-war America, benefiting primarily the established upper… Continue Reading
The Four D’s: Part 4 – More on Depth of Character
At the welcome reception for my MFA program I was asked the following question: when my novel is published and on bookstore shelves, next to which author would I like to see it placed? I had never thought about this and found myself unable to come up with a satisfactory answer. Later, as I… Continue Reading
Stories About How to Tell Stories
On the cover of the trade paperback edition of The Things They Carried, a short excerpt from the New York Times book review says, “A marvel of storytelling … The Things They Carried matters not only to the reader interested in Vietnam but to anyone interested in the craft of writing as well.” I found this to… Continue Reading